Remembering remembering.
I made a short piece for Artshouse Hot August Night in 2011. It as called ‘The Ballad of Randolph van Dyke’. The brief was 3 minutes. So, ok, this was 4. Am I remembering? or am I just remembering remembering? When we recall the past, when does fact stop, and fiction begin?
Catherine Clover’s Birdbrain – sounds, digital media, and collaboration
I have been assisting digital media and sound artist Catherine Clover with her project ‘Birdbrain’ – an investigation into pigeons, ravens and seagulls.
Maybe we’re never together
Constructive Interference and Big West present a new work by Kate Hunter and Emilie Collyer.
Antonio Damasio and the art of improvisation
When I begin work in the studio, I often start by playing with a gesture, a shape or a simple movement sequence without any text. It may be in response to a theme, an idea, a fragmentary image, a memory. It may not be in response to any theme. At times I score the [...]
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Performer, scholar, teacher, writer - is there anything Kate Hunter can't do? Possibly... but you'll have to click here to find out.
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The Public Floor’s new show…
Public Floor's NEW SHOW! The Waiting Room: seven people, a small room, a door - a million possibilities.
Mouth
I’ve been mucking around with close-up film and some sound recordings I made in Europe in May. The sound you hear is recorded deep underground in the catacombs of Paris.
Remembering remembering.
I made a short piece for Artshouse Hot August Night in 2011. It as called ‘The Ballad of Randolph van Dyke’. The brief was 3 minutes. So, ok, this was 4. Am I remembering? or am I just remembering remembering? When we recall the past, when does fact stop, and fiction begin?
Catherine Clover’s Birdbrain – sounds, digital media, and collaboration
I have been assisting digital media and sound artist Catherine Clover with her project 'Birdbrain' - an investigation into pigeons, ravens and seagulls.
Maybe we’re never together
Constructive Interference and Big West present a new work by Kate Hunter and Emilie Collyer.
Antonio Damasio and the art of improvisation
When I begin work in the studio, I often start by playing with a gesture, a shape or a simple movement sequence without any text. It may be in response to a theme, an idea, a fragmentary image, a memory. It may not be in response to any theme. At times I score the [...]
Work in progress
I show some work to some people – it is a series of six pieces mostly based on audio recordings of improvised monologues that I have carried out whilst in the studio moving. Some of these are transcribed. I always think they look more interesting on the page – like poetry – [...]
